I dedicate this poem to all who have gathered courage to climb a mountain, look out over the world, and speak—and then, startled by strange echoes, wondered who the speaker really was.

“HOW DO YOU KNOW ME?”
John 1:47-49; 2:24-25; 21:17

The more I post my words abroad
For hearers near and far,
In true attempt to share with other souls,
Athirst or not,
The meager growth in understanding I have felt
And feel we want still more;
The more my words, as arrows blown beyond my sight,
Are heard by those who know me not
And cannot weigh with knowing minds
The heart and mind from whence those words took flight.

From distant minds more words return,
Words launched in echo to my own,
Each bearing freight of praise unmerited
Or censure crisply drawn.
My words are weighed on varied scales.
And not my words alone:
Hearts that I cannot measure well, or fairly,
Do not wait to weigh my own,
Assigning mental skill,
Fidelity,
Or motive liberally.

How shall I weigh these words?
They rightly rouse me to appraise my heart, and yet
Unequal weights abominations are,
And mock the truest scales.

For even love paints me with double tongue:
Its words of thanks and warning fall
In overlapping strokes upon my ear
Until a muddled portrait now appears.
Unless I am two men at once, or more,
I cannot be the man of whom all speak.

By Judge, not jury, we’ll at last be tried
(Though judged as mutual jurors, side by side)

And so:
One word alone I long to hear,
The word of Him who spoke this spinning sphere in space—
Whose words I must proclaim, no more, no less—
Who needs no witness, knowing what’s in man
(And knowing all, you know I love you, too),
Who underneath the fig tree saw my soul
Before I knew his name—
May He, the King, proclaim:
“An Israelite indeed, in whom there’s no deceit!”

—Dwight Gingrich, December 2015

For most people, self-identity is largely rooted in community. When our community offers a coherent and consistent reading of our souls, our confidence is bolstered. We know who we are, and we speak who we are. (This is a very biblical reality. For only one example, see Romans 12:3-8.)

But when our community expands, multiplies, or otherwise changes, divergent readings of our soul may be offered, and our self-identity can be shaken. At worst, such inconsistent echoes threaten to unhinge us mentally, destroying all confidence in our own ability to hear, to assess, to know anything at all for sure. Who am I, really? And dare I continue to speak, when speaking only increases the echoes that lay claim to my ears?

We are not competent to weigh our own hearts. But One is. He will weigh both our hearts and our words. In him we rest, and for his sake we speak—and will continue to speak, God willing, in 2016.

Writers, speakers, teachers—anyone: Have you ever experienced what I express in this poem? How do you process the diverse feedback that your words awaken? How do you discern when and how to let this feedback change your future words? How do you write and speak for an Audience of One without disregarding the needs and perspectives of your audience of many? And how do you learn from your audience of many without letting your Audience of One lose command of your words? Send me more echoes in the comments below.

PS: It was a lot of fun for both Mom and I to exchange normal roles and have her give me feedback as I made final decisions about this poem. I thank her for her help, yet any remaining flaws are entirely my own. One line in particular gave me no end of grief. My wife couldn’t make sense of it, Mom wasn’t sure about it, and I tried well over a dozen variants before I finally settled half contentedly on one, only since it was time to publish. So I’ll leave you with the explanation I gave my wife: Sometimes it’s good to have a line or two that leaves the reader completely stymied, with no sure way of knowing exactly what the author intended. This forces the reader to consider multiple possible readings, each with its own moral implications. Thus the reader enjoys multiple opportunities for moral improvement. 🙂 So puzzle and reflect—and let me know if you think you know which line robbed so much of my time.